Here is what I upgraded to and why:
- JL Audio C2-350x (Dash, Channels 1–2):
- Type: Bandpass filter (to limit tweeter overlap and low-end distortion).
- High-Pass Filter (HPF): 200 Hz, 12 dB/octave (protects from low frequencies, focuses on midrange).
- Low-Pass Filter (LPF): 3 kHz, 12 dB/octave (reduces overlap with C26 tweeters, keeps mids clean).
- Hertz C26 Tweeters (A-pillars, Channels 3–4):
- Type: High-pass filter.
- HPF: 3 kHz, 12 dB/octave (complements C2-350x, focuses on highs).
- Rationale: Starts where C2-350x cuts off, ensuring smooth transition and clear highs without doubling up on tweeter frequencies.
- Hertz C165 (Front Doors, Channels 5–6):
- Type: High-pass filter.
- HPF: 80 Hz, 12 dB/octave (prevents distortion from low bass, blends with subwoofer).
- Rationale: Focuses on midbass and mids (55 Hz–7 kHz), critical for rock guitar and vocals.
- Hertz C165 + C26 (Rear Doors, Channels 7–8):
- C165:
- Type: High-pass filter.
- HPF: 100 Hz, 12 dB/octave (slightly higher than front to reduce bass load, maintains clarity).
- C26 (if parallel):
- HPF: 3 kHz, 12 dB/octave (matches A-pillar tweeters for consistency).
- Rationale: Rear speakers provide fill, not primary soundstage, so slightly higher HPF reduces bass emphasis.
- C165:
- Kicker 51PTRTP10 (Subwoofer):
- Type: Low-pass filter.
- LPF: 80 Hz, 24 dB/octave (blends with front door C165, delivers tight bass).